Lewis Pullman

Years of small roles came before Top Gun: Maverick finally broke Lewis Pullman out in his early thirties, followed by a careful run of follow up work: Lessons in Chemistry, Salem's Lot, Marvel's Thunderbolts*. That patient, slow built shape traces back to Saturn in Aquarius, tucked into the sector governing personal worth, structuring wealth and reputation patiently through a long apprenticeship rather than a fast breakthrough.

Pullman was born January 29, 1993, at 4:54 in the morning in Burbank, California, with Capricorn rising and Libra on the Midheaven. The Sun sits conjunct Mercury in Aquarius, in the 1st house, and that combination gives him something noticeably unconventional even in stillness — people meet an Aquarius Sun placed there and register a quality slightly off the expected template, exactly the register roles requiring someone sensitive but strange tend to need.

Capricorn rises at the horizon, with Uranus and Neptune both conjunct that same point, and the Capricorn surface reads as serious and structurally capable while Uranus and Neptune add something otherworldly and hard to read underneath it. He's repeatedly played characters who don't quite seem to belong in the room they're standing in, and this placement is exactly why that comes without visible effort.

The Moon occupies Aries, landing in the sector tied to voice and daily expression, needing to talk and to fight for its own read on a situation — he's been notably articulate in interviews and willing to disagree with directors about characterization, both tracing back to this placement. Venus sits in Pisces, in that same house, adding a gentler verbal empathy — the source of a consistently kind, soft spoken register in interviews and with the people he acts alongside.

Mars sits retrograde in Cancer, tucked into the house governing partnership, slow to commit and genuinely careful with relationships, oriented toward a home shaped partnership rather than a performed romance — the retrograde adds an inward quality, working through conflict by reflecting on it rather than reacting immediately.

Jupiter sits in Libra, in the 9th house of philosophy, expanding toward the international and the philosophical — he's spoken about wanting to work in European cinema and about valuing a slower craft tradition over pure commercial pace. Pluto occupies Scorpio, landing in the sector tied to community and alliance, describing transformation through a carefully chosen creative circle rather than a wide network. Chiron sits in Leo, in the 8th house of exposure, marking a private wound about the actual cost of being seen. The North Node sits in Sagittarius, in the 12th house, pointing toward private spiritual and philosophical work that never shows up in an interview.